Graves of the fireflies ending a relationship

Film Analysis: “Grave of the Fireflies” | The Cinephile Fix

I'll go ahead and say it: Grave of the Fireflies, directed by Isao Takahata when the US was firebombing Japan in a desperate attempt to end the war. in this story exists in the innocence and kindness of their relationship. Grave of the Fireflies is a live-action TV drama of Grave of the Fireflies, made by NTV in Japan. It was produced in commemoration of the 60th anniversary of the end of . She forms a relationship with Seita and protests how Hisako treats Seita and Setsuko. As a year-old she remembers the old days and tells the story to. Takahata, the award-winning director of “Grave of the Fireflies,” an animated we have been able to celebrate the 70th anniversary of World War II's end. . Takahata describes his relationship with Miyazaki as one of mutual.

Hisako then leaves to try to find a doctor. The next day, as they are eating, Seita and Setsuko are only served soup with no rice; they continue to get served very little while her children get plenty.

During another bombing, Seita and Setsuko take refuge in an abandoned bomb shelter, seeing the bombing from a distance, it reminds them of a fireworks show they saw some years ago.

Grave of the Fireflies: The haunting relevance of Studio Ghibli's darkest film

Hisako gets on to Seita about leaving on his own during the bombing and how he should start to help by letting Hisako sell his mother's jade ring for rice; Seita is hesitant at first but gives her the ring. Setsuko is very upset and gets mad at him for selling the ring. Hisako continues to feed Seita and Setsuko very little, even making them start to provide their own water. Natsu chastises her mother for how she is treating them but Hisako ignores her.

Seita and Setsuko leave and go to live in the shelter. Hisako says nothing but lets them go. While at the shelter, Seita entertains Setsuko by having fireflies inside. The following morning when she buries them, she tells Seita that she knows their mother was killed; Seita assures Setsuko that Japan will win the war and their father will return to them.

Meanwhile, Hisako's brother-in-law, Yoshie, gives her some money and leaves her home. Seita and Setsuko begin to starve and Seita resorts to stealing food; Natsu witnesses the theft and is shocked; when the farmer catches him and asks if she knows him, she makes no comment and Seita leaves in shock with Setsuko.

Setsuko becomes ill and when she is taken to the hospital, the doctor does very little to help. During another bombing, Seita breaks into a shop and steals food but is caught and beaten up by the store owner and taken to the police.

After the bombing, Hisako comes to get him and is warned that if he does it again, she will be held responsible. As they are walking, Seita tries to explain his actions but Hisako tells him that she cannot feed them properly, Seita then runs away in anger back to the shelter where he breaks down into tears and Setsuko comforts him.

The following morning, Setsuko is eating marbles, thinking they are fruit drops. Seita decides use the remaining money he has and buy her food. An announcement is made by the emperor about the surrender of Japan ; while Natsu is shocked by this announcement, Hisako goes to cook.

When Seita hears the news, he also hears that the imperial fleet was wiped out as well, knowing his father has died in the process. At the shop, the store owners throw him out but he begs them to sell him food. He returns to the shelter to cook some food only to find out that Setsuko has died. Meanwhile, Natsu and Hisako go to find them; they find the shelter they have been living in and are shocked to see how they have been living.

Seita takes Setsuko to the top of a hill and places her body in straw casket and cremates her, he then takes some of her bones and places them in the candy tin. After this he goes to the railway station in Kobe, and dies. Following this flashback, both Natsu and Hisako leave the station, Natsu goes to the bridge where they saw fireflies the first time. Natsu feels guilty for what they did to them, but Hisako slaps her only to say that the real war has begun.

After the war, Hisako and her children moved to Tokyo to start a new life and a law was passed to protect orphans affected by war. In the present day, Natsu and her granddaughter are on the same bridge she was on years ago and Natsu reflects on how the war changed everyone; she takes out Setsuko's remains and throws them into the river.

Two fireflies then fly away, symbolizing Seita and Setsuko. After the closing scene, while the movie's credits role, images of children affected by military violence and occupation are shown. These images are interspersed with images of Seita and Setsuko.

The modern day images seem to be of Palestinian children including one girl smiling as she displays a photo of Yasser Arafat. Reaction[ edit ] The drama is liberal in deviating from the original work. The author will be grateful if my novel, being adapted now, 60 years after the war, could convey the brutality of wars, even just a little bit, to the people living in the present days. She forms a relationship with Seita and protests how Hisako treats Seita and Setsuko. As a year-old she remembers the old days and tells the story to her granddaughter.

Jun Kaname Yoshie is Hisako's brother in law. Because he has a bad leg, he was not called into service. Mao Inoue Keiko is Natsu's granddaughter, whom listens intently as Natsu recounts her experiences during the war. Mayuko Fukuda year-old Hana is one of Hisako's daughters. Like Seita, Nosaka lost his little sister to the shattering effects of war.

He blames himself for her death. War is a mere backdrop in this survival account, and the central theme here is how war temporarily changes who we are. It blinds us from all things human. It turns us into cruel selfish beasts, unsympathetic to the desperate needs of others. It is only together, and with the help of one another, that we can all survive through our darkest chapters without being cursed with future guilt, shame, and remorse.

This central theme is evident right from the opening shots. We witness the gradual surge of selflessness in the people of a bombed village. It starts with their aunt. Soon enough, she is ripping them off, and cursing them. She constantly mocks and humiliates Seita. We hear whispers of the siblings being a burden in their house, more mouths to feed. The transformational effect of war is also manifested in the scenes where Seita seeks the help of a doctor.

Grave of the Fireflies (Hotaru no Haka) - Analysis - Dramatica

When he stands above the body of his bleeding mother, the doctors delivers the bad news showing genuine sadness in their inability to help. In a much later scene, Seita seeks the help of a doctor to save his sister from dying. The news delivery is cold, like death is inevitable. Seita yells in frustration, but to no avail. It makes me think of how many times people have looked down at poor people stealing bread, when we have no clue what has led them to arrive to such last resorts.

Nevertheless, Seita is beat near an inch of his life. Setsuko sees his face all swollen, and asks him if she should get him a doctor. When Seita hears these words coming from his little sister, he breaks down. No kid should worry about seeing a doctor.