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TYBALT, Follow me close, for I will speak to them. Gentlemen, good den: a word with one of you. MERCUTIO, And but one word with one of us? couple it with. Get free homework help on William Shakespeare's Romeo and Juliet: play While attempting to stop the fight, Benvolio (Romeo's cousin) is drawn into the fray. 3. At the end of scene one, what advice does Benvolio give his cousin Romeo? Who successfully ends the street fight between the Capulets and Montagues in.
The word is not found elsewhere in this sense, and it has been conjectured that the final -er is a printer's addition, or a mistake for pilch, sir; so Dekker, Satiromastix, "how thou amblest in leather pilch by a play-waggon": I am for you, I am ready to meet you.
Stage Direction, under Romeo's arm, i. Romeo having rushed between them to part them.
- Romeo and Juliet
- Romeo And Juliet Test All Acts 1
Tybalt aims a blow at Mercutio, the sword passing under Romeo's arm. I am sped, I am done for, my business is settled: The original sense of 'speed' is 'success,' then 'a hasty issue.
In Italy, as in all hot climates, the funeral follows closely upon death: I have it, I am done for; like the Lat. On Merciitio's death Hallam remarks, "It seems to have been necessary to keep down the other characters that they might not overpower the principal one; and though we can by no means agree with Dryden, that if Shakespeare had not killed Mercutio, Mercutio would have killed him, there might have been some danger of his killing Romeo.
His brilliant vivacity shows the softness of the other a little to a disadvantage. My very friend, my true, close, friend. His slanderous accusation in 1. Though here the result is that of softening, there is in my temper probably an allusion to the tempering of steel, i.
Romeo And Juliet Test All Acts 1 - ProProfs Quiz
Thyself and I will travel in disguise"; for prepositions omitted after verbs of motion, see Abb. My soul shall thine keep company to heaven; Tarry, sweet soul, for mine, then fly abreast," said by York on Suffolk's death in battle. Shalt with him, shall accompany him. The sudden switch from the comedic interplay between the servants to a potentially life-threatening situation demonstrates the rapidly changing pace that drives the action of the rest of the play.
Shakespeare's Romeo and Juliet Act 3 - Tybalt kills Mercutio and Romeo kills Tybalt
For instance, Benvolio, whose name means "goodwill," tries to act as a peacemaker by dividing the servants, but the quick-tempered "fiery Tybalt" forces him to draw his sword, and the atmosphere changes from harmony to hatred within a few lines. This undercurrent of uncertain fortune wrenches the characters into and out of pleasure and pain as fate seemingly preempts each of their hopes with another tragic turn of events.
When the elderly, hot-tempered Capulet calls for his long sword to jump into a duel with the young swordsmen wielding light, modern weapons, both the absurdity of the feud and the gulf between the old and the young are evident. Both patriarchs are chastised by their wives for such impetuous behavior: Why call you for a sword?
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Though Romeo and Juliet try to separate themselves from such archaic grudges and foolish fighting, the couple can't escape the repercussions of the feud, which ultimately deals their love a fatal wound. The second half of the scene switches its focus from the theme of feuding and violence to the play's other key theme, love.
Romeo woefully bemoans his plight as an unrequited, Petrarchan lover. The term Petrarchan comes from the poet, Petrarch, who wrote sonnets obsessively consumed with his unrequited love for Laura.
Romeo's feelings of love have not been reciprocated by Rosaline, and this predicament causes him to dwell on his emotional torment. Shakespeare chooses language that reflects youthful, idealized notions of romance. Romeo describes his state of mind through a series of oxymorons — setting contradictory words together — blending the joys of love with the emotional desolation of unrequited love: Romeo's use of traditional, hackneyed poetry in the early stages of the play show him as a young, inexperienced lover who is more interested in the concept of being in love, than actually loving another human being.
As the play progresses, Romeo's use of language shifts as he begins to speak in blank verse as well as rhyme.Tybalt and Mercutio Fight