Questions and Answers - Van Gogh Museum
Read the story and discover the special relationship between Vincent and his brother Theo. When Vincent van Gogh left the asylum in Saint Remy in May , he went to live in An expanded keyframe test with Armand . there who have their own theories about the relationship between Vincent and Marguerite. Vincent and Theo has ratings and reviews. up) of Vincent van Gogh's relationship with his brother Theo and the dynamics of their whole family.
I told you we are talking some serious brotherly love here. Of course Vincent always saw the money as an investment and not as charity. Sadly, neither brother would ever see this money from his art come back to them. If it were not for Theo, Vincent may never have become the esteemed artist we know him as today.Robert Altman and the making of VINCENT & THEO (1990)
Furthermore, Theo always encouraged Vincent to mingle with the up-and-coming artists who he worked with artists such as Toulouse-Lautrec and Gauguin.
Sure Vincent was always a bit unstable between his frequent bouts of depression and his rumored addiction to absinthe not to mention his penchant for consuming his paintsbut things really took a turn for the worse during his last two years. Of course there was the notorious ear mauling incident and soon after he committed himself to a mental hospital that Theo obviously paid for.
Even with the help of assisted living, Vincent did not make it long before he put a bullet in his chest. Being the brother he was, Theo was so quick to jump on a train, he was able to sit next to Vincent as he passed away on his deathbed. In fact, he too ended up in a asylum shortly after. Others theorize that Theo went crazy due to contracting syphilis.
In what beach town did he create some of his early work, like the painting of a beach in stormy weather? Question by author James Scheveningen Vincent van Gogh was born on March 30 in Zundert, a town in the southern part of the Netherlands, near the city of Breda. In he received his first taste of the art world, while working at the gallery of art dealers Goupil et Cie in The Hague, London and Paris. He lost his love for art and decided to devote his career to becoming a minister for the poor and miners in the Borinage region.
Gradually he found his way back to art, supported by his brother Theo. In the "Beach at Scheveningen in Stormy Weather" painting it is said that you can actually see grains of sand in the thickly applied paint.
The Life and Art of Vincent van Gogh click to play it. Question by author kate He was the eldest of six siblings but his mother, Anna had given birth to a stillborn son, also called Vincent, on March 30, This was a coincidence that could possibly help to account for Vincent's morbidity later in life. Van Gogh and Theo click to play it. Question by author robert The death of an infant child The first child born to the parents, Vincent Van Gogh, was stillborn. The man we know as Vincent Van Gogh was born one year later.
Note the two complimentary works: The drawing was produced in March and the trees and landscape appear somewhat bleak after winter. The painting, however, executed a month later shows the very first spring buds on the trees.
During this time Van Gogh painted a series of blossoming orchards. Vincent was pleased with his productivity and, like the orchards, felt renewed. The months to follow would be happy ones. Vincent wouldn't actually move into the Yellow House until September, in preparation for establishing it as the base for his "Studio of the South.
Van Gogh is often perceived today as an irritable and solitary figure. But he really did enjoy the company of people and did his best during these months to make friends--both for companionship and also to pose as much valued models. Vincent never lost hope in the prospect of establishing the artists' commune and began a campaign to encourage Paul Gauguin to join him in the south.
The prospect appeared unlikely, however, because Gauguin's relocation would require even more financial assistance from Theo who had reached his limit. This financial influx would enable Theo to sponsor Gauguin's move to Arles. Theo was motivated both as a concerned brother and also as a business man.
Theo felt that Vincent would be happier and more stable in the company of Gauguin and also Theo had hopes that the paintings he would receive from Gauguin, in exchange for his support, would turn a profit.
Unlike Vincent, Paul Gauguin was beginning to see a small degree of success from his works. Despite the improved state of Theo's financial affairs, Vincent nevertheless remained true to form and spent a disproportionate amount of his money on art supplies instead of the basic necessities of life. Malnourished and overworked, Van Gogh's health declined early October, but he was heartened upon receiving confirmation that Gauguin would join him in the south.
Vincent worked hard to prepare the Yellow House in order to make Gauguin feel welcome. Gauguin arrived in Arles by train early on 23 October.
The next two months would be pivotal, and disastrous, for both Vincent van Gogh and Paul Gauguin. Initially Van Gogh and Gauguin got on well together, painting on the outskirts of Arles, discussing their art and differing techniques. As the weeks passed, however, the weather deteriorated and the pair found themselves compelled to stay indoors more and more frequently.
As always, Vincent's temperament and most likely Gauguin's as well fluctuated to match the weather. Forced to work indoors, Vincent's depression was assuaged, however, when he was encouraged and stimulated by a series of portraits he undertook.
Those paintings, of the Roulin familyremain among his best loved works. The relationship between Van Gogh and Gauguin deteriorated throughout December, however. Their heated arguments became more and more frequent--"electric" as Vincent would describe them. Relations between the pair declined in tandem with Vincent's state of mental health.
On 23 December Vincent van Gogh, in an irrational fit of madness, mutilated the lower portion of his left ear. He severed the lobe with a razor, wrapped it in cloth and then took it to a brothel and presented it to one of the women there. Vincent then staggered back to the Yellow House where he collapsed. After sending a telegram to Theo, Gauguin left immediately for Paris, choosing not to visit Van Gogh in the hospital.
Van Gogh and Gauguin would later correspond from time to time, but would never meet in person again. During his time in the hospital, Vincent was under the care of Dr. The week following the ear mutilation was critical for Van Gogh--both mentally and physically. He had suffered a great deal of blood loss and continued to suffer serious attacks in which he was incapacitated.
Theo, who had rushed down from Paris, was sure that Vincent would die, but by the end of December and the early days of January, Vincent made a nearly full recovery.
Vincent van Gogh Trivia Questions & Answers | Art World Figures
The first weeks of would not be easy for Vincent van Gogh. After his recovery, Vincent returned to his Yellow House, but continued to visit Dr. Rey for examinations and to have his head dressings changed. Vincent was encouraged by his progress after the breakdown, but his money problems continued and he felt particularly depressed when his close friend, Joseph Roulindecided to accept a better paying position and move with his family to Marseilles.
Roulin had been a dear and faithful friend to Vincent for most of his time in Arles. Vincent was quite productive in terms of his art throughout January and early February, producing some of his best known works such as La Berceuse and Sunflowers. On 7 February, however, Vincent suffered another attack in which he imagined himself being poisoned. Van Gogh was kept in the hospital for ten days, but returned once again to the Yellow House, provisionally: Vincent remained in the hospital for the next six weeks, but was allowed to leave on supervised outings--in order to paint and to put his possessions into storage.
It was a productive, but emotionally discouraging time for Van Gogh. As was the case a year before, Van Gogh returned to painting the blossoming orchards around Arles. Van Gogh left Arles on 8 May. Confinement Upon arrival at the asylum, Van Gogh was placed in the care of Dr. After examining Vincent and reviewing the case, Dr.
Peyron was convinced that his patient was suffering from a type of epilepsy--a diagnosis that remains among the most likely possibilities, even today. The asylum was by no means a "snake pit," but Van Gogh was disheartened by the cries of the other residents and the bad food.
He found it depressing that the patients had nothing to do all day--no stimulation of any kind. Part of Van Gogh's treatment included "hydro-therapy", a frequent immersion in a large tub of water.
- 125 Questions and Answers
- Vincent van Gogh Trivia Questions & Answers : Art World Figures
- Meet Vincent
While this "therapy" was certainly not cruel in any way, neither was it in the least beneficial in terms of helping to restore Vincent's mental health. As the weeks passed, Vincent's mental well-being remained stable and he was allowed to resume painting.
The staff was encouraged by Van Gogh's progress or, at least, at his not suffering any additional attacks and in mid-June Van Gogh produced his best known work: Van Gogh's relatively tranquil state of mind didn't last, however, and he was incapacitated by another attack in mid-July.
During this attack Vincent tried to ingest his own paints and for that reason he was confined and not given access to his materials. Although he recovered fairly quickly from the incident, Van Gogh was discouraged at being deprived of the one thing that gave him pleasure and distraction: After another week, Dr.
Peyron relented and agreed to allow Van Gogh to resume his painting. His resumption of work coincided with an improved mental state. Vincent sent Theo letters detailing his precarious state of health; while at the same time Theo had similar issues to deal with. Theo's health had often been delicate and he had been ill throughout much of early For two months Van Gogh was unable to leave his room and wrote to his sister: He expressed these thoughts to Theo who began to make inquiries of possible alternatives for Vincent's medical care--this time much closer to Paris.
Van Gogh's mental and physical health remained fairly stable throughout the remainder of Theo's health had recovered for the most part and, in the midst of preparing a home with his new wife, Theo was also assisting Octave Maus who was organizing an exhibition, Les XX, in Brussels in which six of Vincent's paintings would be displayed. Vincent seemed enthusiastic about the venture and remained quite productive throughout this time. The ongoing correspondence between Vincent and Theo worked out many of the details surrounding Vincent's showing within the exhibit.
On 23 Decembera year to the day after the ear slashing incident, Vincent suffered another attack: The attack was serious and lasted about a week, but Vincent recovered reasonably quickly and resumed painting--this time mainly copies of other artists' works, due to being confined inside, both because of his mental health and also because of the weather.
Sadly, Van Gogh suffered more attacks throughout the early months of These attacks came more frequently and left Vincent more incapacitated than any of those previously. Ironically, during this time when Van Gogh was probably at his lowest and most mentally despondent state, his works were finally beginning to receive critical acclaim.
News of this, however, only served to depress Vincent further and renewed his hopes to leave the asylum and return to the north. After making some inquiries, Theo felt that the best course of action would be for Vincent to return to Paris and then enter the care of Dr.
Paul Gacheta homeopathic therapist living in Auvers-sur-Oise, near Paris. On 16 May Vincent van Gogh left the asylum and took an overnight train to Paris. Vincent remained with Theo, Theo's wife Johanna and their newborn son, Vincent Willem named after Vincent for three pleasant days. Never one to enjoy the hustle and bustle of city life, however, Vincent felt some stress returning and opted to leave Paris for the more quiet destination, Auvers-sur-Oise. Vincent met with Dr. Gachet shortly after his arrival in Auvers.
Those Talented, Tempestuous Van Goghs: 'Vincent and Theo'
Although initially impressed by Gachet, Vincent would later express grave doubts about his competence, going so far as to comment that Gachet appeared to be "sicker than I am, I think, or shall we say just as much" Letter Despite his misgivings, however, Vincent managed to find himself a room in a small inn owned by Arthur Gustave Ravoux and immediately began painting the environs of Auvers-sur-Oise. Over the course of the next two weeks, Van Gogh's opinion about Gachet softened somewhat and he became completely absorbed in his painting.
Vincent's first weeks in Auvers passed pleasantly and uneventfully. To all appearances, Vincent appeared quite restored--mentally and physically. Throughout June, Vincent remained in good spirits and was remarkably productive, painting some of his best known works Portrait of Doctor Gachet and The Church at Auversfor example. The initial tranquility of the first month in Auvers was interrupted, however, when Vincent received news that his nephew was seriously ill.
Theo had been going through a most difficult time throughout the previous few months: Following the baby's recovery, Vincent decided to visit Theo and his family on 6 July and caught an early train. Very little is known about the visit, but Johanna, writing years later, would suggest that the day was strained and fairly tense.