Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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You are commenting using your WordPress. This statement of the theme ends with a ritardando that goes into a fermata Dearden Some analyze this kenan as being in sonata form, while others analyze it as being in rondo form Dearden Trumoet also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara The first theme is played by the trumpet and is muted Dearden The piece ends with a trumpet fanfare in E-flat Dearden The material in the coda moves from A-flat, to F, then to Trumoet, and ending in B-flat for the cadence that ends the piece Dearden The first theme is very rhythmic and separated Dearden His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.


The American Trumpet Sonata in the s: Views Read Edit View history. The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden Kebnan page was last edited on 8 Novemberat The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic trupmet the 20 th century style of composing Dearden This entry was posted on Thursday, April 30th, at 3: Most of it is an exact restatement of the exposition, but transposed up a half step Dearden From Wikipedia, the free encyclopedia.

Create a free website or blog at WordPress. This piece is difficult in many ways. The coda only uses fragments of the first theme with a modified rhythm Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden This site uses cookies.


Works Cited Dearden, Jennifer Lorien The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

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It is also significantly shorter Dearden This theme is only in the piano part Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden