Meet the Robinsons - Wikipedia
In the movie, Lewis, an orphaned boy and brilliant inventor, wants to find his When Mark Hammel, technical supervisor for Meet the Robinsons, evaluated the . there—perhaps a painting on a card or a bit of animation from another scene. . the "Subcribe" button, you agree to sign up for the CGW Magazine e- newsletter. Meet the Robinsons () tells the story of a young inventor, LEWIS, whose search (9) Back on the roof, Lewis rips pages out of his journal. kinenbicounter.info: Meet The Robinsons (Three-Disc Combo: Blu-ray Kinda like the famous quote from Thomas Edison when he invented the light bulb, “If I find.
Here Today, Here Tomorrow Lewis moves back and forth between the present and the future, so the environments for each needed to be distinct and instantly recognizable, but not so dissimilar that it looked like he occupied two different films.
Then, they added details in areas where the camera would spend the most time. Much of the fi lm used ambient occlusion for soft lighting and shadows. Selective raytracing added realism by giving such elements as the toaster the off-screen refl ections. To art-direct the pollution belched by thousands of fiery smokestacks, the team used sprites. The team also used RealFlow to simulate other fluids—water, jelly, peanut butter, and so forth.
For the swarms of evil Doris hats, the VFX artists used Houdini, and relied on a combination of Maya and Houdini to create the time-travel effect for the spaceship. Thus, to help distinguish the present from the past, the artists changed the lighting. In the future lab, the light from the blue sky pours through a giant dome-like window and reflects on the memory scanner.
The bedroom, by contrast, has only one light source and one window. The future is a happy place; the present—soon to be the past—is a place to leave behind. Much of the film is raytraced, and the lighters used ambient occlusion throughout, finding efficient ways to do both. We also got good at off-screen reflections and at faking off-scene stuff. So, the lighters put something there—perhaps a painting on a card or a bit of animation from another scene.
Forward Thrust Three years into the project and a few months after production had ramped up, Disney had bought Pixar Animation Studios, and as a result, Disney Feature Animation had three new sets of eyes evaluating the film: Now go away and figure out which ones will help you make the movie better.
The animators were hardest hit by the story tweaks. We sat with the animators and technical directors and cleaned up any issues and problems with the rigs. That little window gave us a great opportunity to catch up. His earlier involvement in this project resulted in new ideas for enhancing stories with stereo. The red zones—the big chase scenes and other exciting shots—were targets for stereo 3D. The green zones gave the audience a chance to relax. The two most common techniques are depth and position.
Positioning the zero parallax point determines whether characters are in front or behind the screen. The unique technique implemented for this film is an optical floating stereoscopic window frame. Although it goes unnoticed, a black edge always frames the stereoscopic window—that is, the hole through which you look deeply into space, or from which something flies out at you.
The frame, typically placed into the image, makes it look like the screen moves. By moving the frame separately, they were able to use stereo for shots that otherwise would have been more difficult, and they were able to increase excitement and tension.
For example, rather than move the Bowler Hat Guy from a great distance toward the camera, they moved the frame away from the camera. Once the Disney team completed setting up the camera for the stereoscopic work, they sent RIB files for the mono movie the left eye to Digital Domain, where a crew rendered and composited the final image for the right eye and applied the floating window. With each film, the potential audience has grown.
The goal for Meet the Robinsons is theaters. The potential for using stereo 3D to help tell stories is growing as well. As Lewis grapples with the revelation, he repeats his previous question.
The Bowler Hat Guy flips on a light, revealing that they're in Lewis' old room at the orphanage, or as he claims, their old room. He reveals himself as an aged and deeply embittered Mike Yagoobian Goob.
He tells Lewis that he is to be blamed for a miserable life of Goob, having kept him sleep-deprived, causing him to lose his little league game. Goob obsessed over this defeat, scaring away his chances at adoption, and stayed at the orphanage after it closed down, eventually coming to blame Lewis for his misery.
Goob initially intended to get revenge by vandalizing Robinson Industries, only to meet DOR Dorisa failed and abandoned invention of Cornelius'. They cooperate to steal the time machine, able to steal it because Wilbur forgot to lock the garage door, and plotted to use it to capture and plagiarize Lewis' first famous invention, to ruin Lewis's career as an inventor.
Lewis warns that their actions may drastically alter the future but Goob doesn't care.
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Lewis tells his old friend that he should just let go of his past and "Keep Moving Forward", incidentally reciting his future motto. However, Goob finds it more convenient to blame Lewis. Goob and Doris prepare to present the stolen invention to InventCo in the past. Wilbur and his robot Carl Harland Williams save Lewis and the memory scanner and escape. As they make their way back to the Robinson house, Lewis punches Wilbur in the shoulder for failing to lock the garage door, revealing that he knows he's his father.
Then suddenly, Doris destroys Carl and steals back the memory scanner, returning to Goob as their time machine vanishes. The scenery around Lewis and Wilbur still in the future darkens, and Wilbur vanishes into oblivion as history is being rewritten.
Meet the Robinsons
Lewis enters the derelict house and discovers the memory-scanner in the garage. Viewing its records, he discovers that after mass-producing the memory-scanner, Goob also mass-produces Doris, whereupon the multitude of robotic hats took control of their wearers, something Goob hadn't planned. The Robinsons' utopian future is replaced by a Doris-controlled, smog-darkened industrial empire, with mankind reduced to slaves.
Pursued by an army of DOR hats, Lewis manages to repair the time machine and uses it to go to the precise moment and location where Goob signs the contract at InventCo.
Lewis causes Doris to disappear into oblivion by promising that he will never invent her. Lewis then shows Goob the bleak future Doris would have created, which is transformed before their eyes back into the Utopian future.
After they land near the Robinson house, Wilbur is brought back into existence. Lewis gets Wilbur to offer for the Robinsons to adopt Goob after he hit Goob with karatebut Goob, ashamed of what he has done, hides and then walks off uncertain of what to do.
Cornelius Tom Selleck appears back from his business trip and panics upon discovering the time machines to be missing before meeting his younger self.
Cornelius shows Lewis his lab and points out the memory scanner, the invention he was most proud of. He reminds Lewis that the future is never set in stone and what matters is what he does in the present.
Wilbur fulfills his promise to Lewis by visiting the moment at which his mother abandoned him. Lewis nearly interrupts her from leaving the infant "him", but stops, choosing his Robinson future over a childhood with his mother. Finally, Lewis returns to his own time and prevents Goob from becoming the Bowler Hat Guy by waking him up in time to catch the ball that wins him the game. Lewis then returns to the science fair and demonstrates his memory scanner on the science fair judge, Dr.